Western Checkerboard

I’ve been involved in community theatre most of my life. I’ve helped to stage scores of productions in every capacity from props and scenery to music and makeup. My favorites are the musicals: Rogers and Hammerstein, Harnick and Bock, Lerner and Loewe. Every play sends me through a predictable series of emotions. First, a friend tells me about an upcoming show; either to ask me to help or to encourage me to audition. I’m excited about the prospect, either a show I’d like to do or people I’d like to work with. Early rehearsals feel like a honeymoon. Eventually personalities clash, or problems pop up that won’t be fixed in time for opening night. Panic sets in. Is it too late to ask them to leave my name out of the program? The last week or so we’re all working like dogs to get it right. By closing night I’m wondering how it all went by so fast.